
Krush Groove's conflict is pretty dramatic. All of the pressure of running a startup record label falls onto Russell's shoulders. He has help from Rubin and other associates but the financial burden is his responsibility. When the banks and investors all turn him down, Russell decides to take a loan from the shady loan shark everyone's warned him about. This startup money is enough to get the label going but unfortunately, by that time, all of his groups have signed with someone else. He's left with no artists, no money, and a pissed-off gangster looking to collect. In the end, his friends eventually pitch in and help him pay off his debts. Apparently, harsh beatings are often the wake-up calls people need to help a friend.
The real fun of Krush Groove is in the performances. About half of the film is scenes of rappers and singers performing either on stage for an audience or just out in public with a mix of diegetic and non-diegetic music. In one scene, The Fat Boys sing their song "All You Can Eat" while scarfing down pizza at a Sabarro. It might sound like a Weird Al music video but this is what hip-hop was like in the mid-80s. A lot of screentime is given to Sheila E. who I officially have a crush on after this movie. She sings, dances, and even plays the drums and she looks hot doing it. Krush Groove is a priceless piece of hip-hop history. Anyone with a love for the early days of commercial hip-hop should look no further. And while you're at it, pick up Beat Street, Wild Style, Breakin', and Style Wars.
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